Han-Chiao's poetry is a broad game of balance. On the one hand, there is her archaic-inspired ceramic production and, on the other, her photographic work with a mysterious grain.A global practice tells about its intimate universe between tradition and modernity in two scenes.
A creative of Taiwanese origin, Han-Chiao has everything of a multidisciplinary artist. She first interacted with clay during her photography studies at the Royal Institute of Technology in Melbourne. She then finds a connection years later, as evident, after moving to Paris and working as a photographer in the fashion industry. If working on the image allowed her to sharpen her eye and develop her pictorial touch, ceramics enabled her to reveal herself through an inner gaze. She deploys two practices in two stages and manages to tell her experimental universe with daring and precision.
