Her works, often composed of materials such as plaster, textile, or metal, evoke fragments of bodies or suspended silhouettes. They capture a tension, an unstable balance, as if movement were in the process of unfolding or had just come to a halt. This dialogue between the frozen and the fluid gives her work an almost choreographic dimension, where each piece seems to extend an invisible gesture.
The artist draws inspiration from the tactile relationship we maintain with objects and materials. Her sculptures, sometimes draped or folded, recall skin, fabric folds, or the memory of pressure applied to a surface. By freezing these ephemeral moments, she materializes the imprint of movement—a trace of the body passing through space.
Her artistic approach is grounded in research into the memory of gesture and the imprint left by the body. She works with a variety of materials—textile, plaster, metal, or ceramics—which she folds, shapes, or suspends, evoking skin, drapery, or anatomical fragments. Her works convey a subtle dialogue between presence and absence, between what is fixed and what still seems to be in motion.
Both minimalist and expressive, her practice highlights the way the body interacts with its environment. Between presence and absence, tension and release, she creates works that reveal the poetry of movement embedded within the material itself.
Often inspired by body language, postures, and the invisible tensions that animate forms, her sculptures—though sometimes abstract—retain an organic and tactile quality that invites a sensitive interaction with the surrounding space. Through this approach, she questions how the body inhabits and transforms its environment.
Her work, situated at the boundary between sculpture and installation, offers a poetic reflection on trace, memory, and the materialization of movement within matter.
